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LP Record The wait for "Khaos Legions" has been worth it. With an incredible 14 tracks – 11 songs and three instrumental passages – it's an album that immediately brings to mind "Anthems Of Rebellion" (2003) and "Doomsday Machine" (2005), which are considered two of Arch Enemy's strongest records to date. "Khaos Legions" is packed with the Amott brothers' signature guitar shredding, fronted by the instantly recognisable "hell-hath-no-fury" vocals of singer Angela Gossow, and backed by the energetic bass and drum sound of Sharlee D'Angelo and Daniel Erlandsson. It delivers the band's characteristic extreme metal performance, combined with a few eyebrow-raising surprises.
LP Record nothing, nowhere. is the musical project of singer, songwriter and guitarist Joe Mulherin. His new album "Void Eternal" is arguably the boldest of his career to date. The twelve songs describe a journey into darkness that nothing, nowhere. is determined to fully explore. "Void Eternal" was recorded in a studio that nothing, nowhere. built himself, a renovated barn overlooking the Vermont woods. The album was mostly recorded in seclusion, with only former Counterparts guitarist Blake Hardman, engineer Brody McKeegan, producer Taylor Morgan, and a few other close friends invited. The new record also includes the previously released singles "Cyan1de" with Pete Wentz from Fall Out Boy and "M1sery_Syndrome" feat.
LP Record In 1977, Television released their debut album "Marquee Moon". Although it sold fewer than 80,000 copies in the US and barely broke the top thirty in the UK, it is widely regarded as one of the seminal albums of the punk era. F. Schöler's review in Stereo 3/88: "The oft-imitated masterpiece of the American new wave of rock, finally in a fitting transfer." "'Marquee Moon' is a solid collection of angst-ridden songs, but the searching guitar work and the sharp, unsettling tone make it indelible. The title track is a true tour de force: 'Marquee Moon' forges a spiritual connection between Allman Brothers-style virtuosity and Velvet Underground introspection. There is nothing else quite like it in rock."
LP Record Early in their career, The Doors played in a small, unassuming club called the Matrix, owned by Marty Balin of Jefferson Airplane. Back then, the rule was that bands from L.A. had to play at the Matrix when they came to San Francisco – as a 'tax' and a tribute to the bands that built the local scene. The Doors willingly obliged, and co-owner Peter Abram recorded two of the band's performances on 7th and 10th March 1967. The set includes The Doors' soon-to-be-popular cover 'Gloria' and blues favourites like 'Alabama Song (Whisky Bar)', which would come to define their influence and sound as they worked on originals like 'Break on Through (To The Other Side)'.
LP Record The Stooges' 1970 album, Fun House, is considered a classic of the punk rock genre. It was the band's second album and is known for its raw and aggressive sound. The album was produced by John Cale and is regarded as one of his finest productions.
LP Record DS2, also known as "Dirty Sprite 2", is a studio album by the American rapper Future, released on 17th July 2015 via A1 Recordings, Freebandz and Epic Records. It serves as a sequel to his 2011 mixtape "Dirty Sprite". The album's production was handled by Metro Boomin, Southside, Sonny Digital and Zaytoven, among others. DS2 features a dark, trap-influenced sound with lyrical themes revolving around drug use, street life and personal relationships.
LP Record A blast from the past: it’s almost exactly a year since PTM frontman John Gourley found himself in New York on Danger Mouse's doorstep in the spring of 2012. With a total of six studio albums in six years, non-stop touring around the globe, including a famous tour supporting The Black Keys, and stops at renowned festivals like Coachella, Bonnaroo, and Lollapalooza – up until that point, Portugal. The Man had been the walking embodiment of DIY rock. But when they finally started work on their seventh album, Gourley came to the only logical conclusion: that the most successful and artistically satisfying work would still be good old-fashioned collaboration.
LP Record Nursery Cryme is the third studio album by the British rock group Genesis, released in 1971. The album marked a departure from the group's previous work, featuring a more progressive rock sound. The album was both a critical and commercial success, reaching number 12 on the UK Albums Chart. The album's title track is a 23-minute suite that tells the story of the rise and fall of the mythical King Crescendo. Other standout tracks include "The Musical Box", "For Absent Friends", and "The Fountain of Salmacis". Over the years, Nursery Cryme has been praised by critics for its ambitious songwriting and musicianship. The album is considered a classic of the progressive rock genre and has been cited as an influence by many bands.
LP Record Portishead's album Roseland NYC Live is a brilliant showcase of the band's live performance. The album was recorded in 1998 at the Roseland Ballroom in New York City and features some of the band's most popular songs, including "Sour Times", "Glory Box" and "Machine Gun". The album is a great mix of Portishead's softer, atmospheric songs and their harder, more electronic-based tracks. The band's live performance is tight and energetic, and Beth Gibbons' vocals are as captivating and beautiful as ever. If you're a fan of Portishead, or just great live albums in general, then Roseland NYC Live is a must-listen. It's essential listening for any music lover.
LP Record Ol' Dirty Bastard's debut album, Return to the 36 Chambers: The Dirty Version, was released in 1995. The album was a critical and commercial success and is considered a classic hip-hop album. The singles from the album, "Shimmy Shimmy Ya" and "Brooklyn Zoo", were successful and the album was certified Gold by the Recording Industry Association of America.
LP Record When Disaster Strikes... is the second studio album by American rapper Busta Rhymes, released on 16 September 1997 by Elektra Records. The album follows his debut, "The Coming", and continues to showcase Busta Rhymes' energetic and fast-paced rapping style. It features a wide range of guest artists and producers who contribute to its diverse sound.
LP Record Mac Miller's Faces is a brilliant album. It's one of those albums you can just press play on and listen to from start to finish. There's no need to skip any tracks. The beats are great and Mac's lyrics are on point. It's his best album to date.
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