LP Record Lindemann is Till Lindemann and Peter Tägtgren. Till Lindemann is the singer of Rammstein, who have sold around 17 million records to date, making them one of the most successful and respected rock bands of our time. Peter Tägtgren is not only the mastermind behind the bands Hypocrisy and Pain, but also a renowned and award-winning metal producer (for Amon Amarth, Dimmu Borgir, Sabaton, Children of Bodom, and Cradle of Filth, among others). It’s a scene straight out of a Western: Flake Lorenz and Till Lindemann have a few days off while recording the Rammstein album "Mutter". They travel with some friends to a Swedish province north of Stockholm. A small village pub, beer flowing freely, the air vibrating.
LP Record A classic, remastered: Mozart's Requiem in Nikolaus Harnoncourt's legendary 1981 recording. "Here I can hear Mozart's own voice," Nikolaus Harnoncourt once said of the great composer's Requiem. To mark the fifth anniversary of the star conductor's death, Warner Classics is reissuing Harnoncourt's acclaimed 1981 interpretation, while also honouring several anniversaries: Mozart's Requiem was first performed 230 years ago, the same year Wolfgang Amadeus Mozart died before its completion – and the recording itself was made exactly 40 years ago. The recording, which won the German Record Prize at the time, thrives on the intense emotionality of Harnoncourt's musical style.
LP Record "Diamonds and Pearls" is a studio album by the American musician Prince and his backing band, The New Power Generation, released on 1 October 1991 by Paisley Park Records and Warner Bros. Records. The album features a diverse mix of musical styles, including funk, R&B, pop, and rock. It is best known for hits such as the sultry track "Cream", which topped the Billboard Hot 100 chart, and the title track "Diamonds and Pearls", a romantic ballad by Prince. Other notable tracks include the socially conscious "Money Don't Matter 2 Night", the upbeat dancefloor favourite "Gett Off", and the smooth groove of "Insatiable".
LP Record Released in 2004, Lamb of God's "Ashes of the Wake" is a seminal album in the groove metal genre and the band's third studio album. The album is known for its aggressive riffs, complex drumming, and politically charged lyrics. It features several standout tracks that have become staples in Lamb of God's discography, including the relentless opener "Laid to Rest" and the anthemic "Now You've Got Something to Die For". The title instrumental track, "Ashes of the Wake", showcases the band's technical prowess, with guest guitar solos from Alex Skolnick of Testament and Chris Poland, formerly of Megadeth.
LP Record In May 2022, Italian alchemists and power trio Ufomammut returned with their ninth studio album, "Fenice", on Neurot Recordings. However, they returned not in the form we've heard them before, but as something "more intimate and free". For over twenty years, the band has combined the weight and majesty of a dynamic riff cult with a refined understanding of the psychedelic tradition and history in music, creating a cosmic, futuristic, and technicolour sound destined for total immersion. "Fenice" (Italian for phoenix) symbolises endless rebirth and the ability to start anew after everything seemed doomed. The album is the first recording with new drummer Levre and truly marks a new chapter in Ufomammut's history.
LP Record Sunday at the Village Vanguard is a groundbreaking jazz album by The Bill Evans Trio, recorded live on 25 June 1961 at the Village Vanguard in New York City. This album captures the brilliant interplay between pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian. Tragically, this was the final recording to feature LaFaro, who died in a car accident just ten days after the performance. The album is renowned for its exceptional sound quality and the trio's innovative approach to both standards and original compositions. The tracklist showcases the trio's dynamic range with pieces like "Gloria's Step" and "Jade Visions", both composed by LaFaro, as well as a captivating rendition of "My Man's Gone Now" from Gershwin's opera "Porgy and Bess".
LP Record Lorna Shore's new album, "Immortal", is a dark, symphonic, and epic shockwave. After making a name for themselves on worldwide tours with bands like The Black Dahlia Murder, Carnifex, and Chelsea Grin, "Immortal" heralds a new era in their history. Formed in 2010, Lorna Shore quickly moved beyond being just a well-known local band thanks to their EPs "Bone Kingdom" (2012) and "Malificium" (2013), building a reputation as a dynamic live act with each release. Their 2017 album "Flesh Coffin" already showcased a mature, uncompromising modern metal band that had outgrown the typical deathcore sound.
LP Record Despite their reputation as a great live band and two well-received albums, Yes had yet to achieve the same commercial breakthrough to a wider audience that other Atlantic Records bands had already managed. With the arrival of Steve Howe on guitar, a better-conceived approach to what could be done in the studio with engineer and co-producer Eddie Offord, and material that could be recorded with the same punch, The Yes Album was the final step in gaining a wider audience in both Europe and America. Despite their reputation as a great live band and two well-received albums, Yes had yet to achieve the same commercial breakthrough to a wider audience that other Atlantic Records bands had already managed.
LP Record Supergroup The Smile are kicking off the new year by releasing their second album, "Wall Of Eyes", in January 2024. The band consists of Thom Yorke and Jonny Greenwood from Radiohead and Sons Of Kemet drummer Tom Skinner. Their debut, "A Light For Attracting Attention", was released in 2022 and created during the coronavirus pandemic. Fans and the professional press alike were thrilled by the band's sophisticated sound, which is reminiscent of Radiohead in places but also has plenty of its own character. This is exactly where "Wall Of Eyes" picks up, continuing the journey of its predecessor. After all, many of the musical ideas on the album originate from the band's exploratory phase during the pandemic.
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