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LP Record Ella Swings Lightly is a 1959 studio album by the American jazz singer Ella Fitzgerald, accompanied by the Marty Paich Dek-tette. The album showcases Fitzgerald's versatile vocal style as she delivers a collection of jazz standards with ease and effortlessness. Among the tracks on the album are classic songs such as "If I Were A Bell", "You Brought A New Kind Of Love To Me", and "Blues In The Night". The record also features upbeat numbers like "Knock Me A Kiss" and "Gotta Be This Or That" alongside more tender melodies like "Little White Lies" and "Teardrops From My Eyes".
LP Record Timeless jazz from two of the biggest names in the business. "Ella and Louis" is the 1956 studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet. After having already worked together in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong recorded together for Verve Records! The LP contains the 1956 album Ella & Louis by Ella Fitzgerald and Louis Armstrong. One bonus track from 1946 has been added.
LP Record Orrin Keepnews' commentary (from his new notes): "When I recorded Montgomery in 1960, I realised it was essential to keep everything as clear and simple as possible. There were at least three unique aspects to his playing style: he played with his thumb, never using a pick, and his solos almost always included two elements that were commonly considered 'impossible' – the use of octaves and pianistic block chords. He was self-taught (his first 'lesson' was listening intently to Charlie Christian's records) and he could never read music, yet he had an unerring mastery of blues and ballad tempos and was a formidable composer."
LP Record My Favourite Things is a key element of Coltrane's discography. He already had several recordings for Atlantic Records under his belt, but these were made with hired musicians and presented 'Trane' within the accepted hard bop genre, although he was making great strides in his playing and harmonic exploration. Here, however, he recorded the first album with his new musicians, McCoy Tyner and Elvin Jones (Steve Davis, although perfectly capable, was just the first in a line of bassists Coltrane worked his way through before meeting Jimmy Garrison). The music created for this album at the end of 1960 was fundamentally different from what had come before, as Coltrane forged his own path, moving on from his last collaborator, Miles Davis.
LP Record - limited collector's edition in a six-panel digipack with a detailed booklet - classic album with a new cover by a legendary jazz photographer - digitally remastered - + 11 bonus tracks.
LP Record John Coltrane's 1964 album "Coltrane's Sound" is a masterpiece that showcases his unique saxophone style. The album features a blend of jazz and blues, perfect for any fan of the genre.
LP Record The unique style of the great Nina Simone encompassed a wide range of musical genres, including jazz, blues, folk, R&B, gospel, pop, and classical music. This collection features some of her finest interpretations of jazz ballads and blues. As a bonus, it includes one of Simone's most significant hits, "My Baby Just Cares for Me".
LP Record When "Forbidden Fruit" was released on the Colpix label in 1961, Nina Simone's popularity was only just beginning to grow, reaching its peak several years later. She was only 28, but her amazing voice was already fully developed, making it easy to predict a long career that would establish her as one of the most important singers in jazz history. In the years that followed, her music and her commitment to the Civil Rights Movement would catapult her into the ranks of the most influential figures in African-American music. Even on the album "Forbidden Fruit", she reveals herself as a stunning interpreter and a formidable pianist.
LP Record Miles Davis's Kind of Blue is one of the most influential jazz albums of all time. Released in 1959, the album features Davis on trumpet alongside John Coltrane, Cannonball Adderley, Bill Evans, and Wynton Kelly. The album was recorded in a single session, with the musicians improvising over melodic sketches provided by Davis. The album's influence can be heard in the work of later jazz musicians, as well as in other musical genres. Kind of Blue is often cited as the first jazz album to feature modal jazz, a style of jazz that avoids chord progressions in favour of scale-based melodies.
LP Record Little Girl Blue (also known as My Baby Just Cares for Me), presented here in both stereo and a rare mono version, was Nina Simone's debut album and her very first studio recording. At twenty-five years old, she achieved enormous success with it, launching a fabulous career during which she recorded over 80 studio albums. It includes timeless classics like "I Loves You Porgy" and "My Baby Just Cares For Me".
LP Record Lady In Satin is Billie Holiday's last great hit and her penultimate album. Although several live recordings were made after this Columbia album, and she even recorded a second album with Ray Ellis for MGM, none were as enduring as Lady in Satin. Indeed, Billie herself loved this album. Most jazz fans consider Lady in Satin to be Billie Holiday's last great work. The album was included in the book "1001 Albums You Must Hear Before You Die".
LP Record Chet Baker (1929–1988) is well known today as both a trumpeter and a singer. Chet's trumpet and his voice seem to be extensions of the same musical personality, and once you are familiar with both aspects of Baker's work, you expect to hear both. However, this album was a revelation in its time, bringing Baker new fame and a new audience who were less familiar with jazz than with pop music. The reasons are clear: Chet's voice is gentle and beautiful, while his phrasing is always sweeping and surprising.
LP Record With the album Saxophone Colossus, Sonny Rollins finally achieved the widespread recognition he deserved as a central figure in the jazz world. Until this release, music critics had not taken Rollins seriously, even though his peers already knew he was one of the new influential forces on the jazz scene. The 1956 album Saxophone Colossus inspired critics to write academic papers; fans celebrated Rollins's creativity, his humour, and his outstanding ballads. The tenor saxophonist is accompanied by Tommy Flanagan on piano, Doug Watkins on double bass, and Max Roach on drums.
LP Record Whether the Village Vanguard group could have surpassed or built upon its June 1961 successes is a matter of speculation. Evans continued to make great music for almost two decades, but he must have known deep down that his peak was behind him." – PENGUIN GUIDE TO JAZZ "Unfortunately, this is the last testament of the group, which was cut short by the sudden death of Scott LaFaro just a few days after these recordings. Waltz for Debby is one of those albums where you can discover something new with every listen." – JAZZ MAGAZINE.
LP Record At Last! is an album released in 1961 by Etta James. The album was produced by Rick Hall and features the Muscle Shoals Rhythm Section. It was recorded at FAME Studios in Muscle Shoals, Alabama. The album was released by Argo Records and includes the singles "All I Could Do Was Cry" and "At Last". It was later reissued by Chess Records.
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