Tuesday noon

A manifesto of love, a mirror of the aspiring writer's soul, or a textbook of sexual infatuation? Greg Sydor has wanted nothing more than to become a writer since he was young, writing is a necessity for him. New York, the place that has given birth to so many famous authors, is both his inspiration and his curse. His ability to create depends entirely on Jennifer, an unpredictable woman who suddenly enters his life. The initial lightness dissolves into a relationship quadrangle and turns into a fateful drama. Writing and non-writing, first experiences with love and inner darkness are reflected in the struggle between reality and texts - dialogues, letters, dream records, books in a book. All this offers the reader a clue as to which direction to take in the whirlwind of events, or whether to just stand at the crossroads and wait to see where the plot takes him. Nothing and no one is unambiguous, events are not flat or soundless records of the plot, characters are not predictable puppets: on the contrary, in original and archetypal masks, he appears to the reader in the image he himself has put together. A Faustian myth set in New York? What is real and what is just words? Where does the line between sensitivity and numbness lie? Four characters, or just the faces of love?