Dobrý deň chcem sa opýtať či mi bude fungovať klopový mikrofón RODE Lavalier GO Black na zrkadlovku Nikon D 5100. A chcem sa tiež opýtať čo všetko je okrem mikrofónu súčasťou balíka. Ďakujem

A high-quality, compact Lavalier GO microphone with an omnidirectional polar pattern. It is equipped with a 3.5mm TRS connector, which allows you to easily connect the microphone to any modern device with a 3.5mm input. With a clip for attaching to clothing and a Kevlar-reinforced cable, you can hold conversations absolutely anywhere. Thanks to its discreet 4.5mm omnidirectional condenser capsule, the Lavalier GO delivers crystal-clear audio in any environment and is incredibly forgiving when it comes to placement, allowing for greater flexibility in fast-paced situations.
This tiny lavalier microphone excels in a wide range of applications. You can use the Lavalier GO Black for on-camera presentations or podcasts. The microphone includes a pop filter that reduces wind noise and plosive consonants. Thanks to the sturdy mounting clip and built-in cable management, attaching and using the Lavalier GO microphone is a breeze.
The RØDE Lavalier GO lavalier microphone features a 3.5mm TRS connector, allowing you to connect it to any device with a 3.5mm microphone input. This means it can even be connected to audio recorders, cameras, mobile devices or computers. The microphone is optimised for use with the RØDE Wireless GO wireless set, with which you will get broadcast-quality audio in any situation.
Microphone PrincipleA dynamic microphone is suitable for outdoor performances, live broadcasts, music production, etc. It uses a magnet and a moving coil to capture sound.
A condenser microphone is mainly used for studio purposes. It has higher sensitivity and lower noise. It requires a separate power supply.
Frequency RangeThe frequency range indicates the range of frequency values that the microphone records. The wider the range, the more sounds it can capture.
Low frequencies (e.g., 20–200Hz): Bass, the deepest tones of instruments (double bass, kick drum) and male voices.
Mid-range frequencies (e.g., 200–3,000Hz): The body of instruments, the fundamental frequency of the voice where the ear is most sensitive, important for speech intelligibility.
High frequencies (e.g., 3,000–14,000Hz): Treble, details, sibilance and the "shine" of the sound.
Air band (above 14,000Hz): Gives recordings a sense of expensive, super high-quality sound and space.
SensitivityMicrophone sensitivity is the ratio of output voltage to acoustic pressure. It expresses how loud a signal the microphone produces at a given acoustic pressure; higher sensitivity means a stronger voltage and is suitable for quiet studios, while lower sensitivity is better for noisy environments as it is less likely to unnecessarily amplify ambient noise.
Specifications can be changed without notice. Images are for illustrative purposes only.