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Shure PGA48-XLR-E
Microphone - in hand (clamp), suitable for singing, cable length 4.6 m, dynamic, directional pickup, frequency range from 70 to 15000 Hz, 600 Ohm impedance, mute control
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1,429,-
Warranty 24 months
Code:
SHU0Ra2
Producer's Website:
Shure PGA48-XLR-E
1,429,-
In stock > 5 pcs at the supplier's
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Shure PGA48-XLR-E
The PGA48-XLR-E microphone ensures high-quality sound for a variety of performances. This dynamic microphone features a cardioid directional pattern, allowing it to precisely target the sound source while suppressing noise from the sides and rear. This makes it ideal for live performances, conferences, and karaoke. The Shure microphone guarantees speech clarity, and its shock-mount system prevents vibrations. It perfectly captures both singing and spoken word, and thanks to its elimination of ambient sounds, it is also suitable for noisy environments. All you need to do is plug in the microphone using the XLR connector, and the Shure PGA48-XLR-E will take care of the rest.
Handheld (for clamp)
Microphone type
Dynamic
Microphone principle
Directional (cardioid)
Directional characteristic
70–15,000Hz
Frequency range
Key Features of the Shure PGA48-XLR-E Microphone
- The Shure microphone offers high-quality sound
- Can be used for conferences and karaoke
- Cardioid pattern captures only the sound source
- Silent on/off switch ensures quiet operation
- Perfect sound in the 70Hz to 15kHz spectrum
- Mid-range frequency boost ensures clarity
- Protection against impact and damage
- Includes a microphone holder and pouch
Suitable for Vocals
Technical Specifications
- Impedance: 600 Ohm
- Sensitivity: -53.5dB
- Weight: 300g
- Receiver connectors: XLR
- Dimensions: 55.1 × 55.1 × 166cm (D × W × H)
- Cable length: 4.6m
Package Contents
- 1 Shure PGA48-XLR-E Microphone
- 1 Stand adapter
- 1 Zippered pouch
- 1 XLR-QTR cable
Microphone Principle
Dynamic microphones are suitable for open performances, live broadcasts, music production, etc. They use a magnet and a moving coil to capture sound.
Condenser microphones are mainly used for studio purposes. They have higher sensitivity and lower noise. They require separate power.
Frequency Range
The frequency range indicates the span of frequencies that the microphone records. The wider the range, the more sounds it can capture.
Low frequencies (e.g., 20–200Hz): Bass, the deepest notes of instruments (double bass, kick drum) and male voices.
Mid frequencies (e.g., 200–3,000Hz): The body of instruments, the foundation of the voice where the ear is most sensitive, important for speech intelligibility.
High frequencies (e.g., 3,000–14,000Hz): Treble, details, sibilance, and the "shine" of the sound.
Air band (above 14,000Hz): Gives recordings a sense of expensive, super-high-quality sound and space.
Sensitivity
Microphone sensitivity is the ratio of the output voltage to the acoustic pressure. It expresses how loud a signal the microphone produces at a given acoustic pressure; higher sensitivity means a stronger voltage and is suitable for quiet studios, while lower sensitivity is better for noisy environments as it amplifies less unwanted ambient noise.
Specifications
Receiver connectors
Cabel length
Principle
Directional characteristics
Microphone type
Connection
Receiver connectors
Cabel length
Microphone characteristics
Principle
Directional characteristics
Microphone type
Frequency from
Frequency to
600 Ohm
Sensitivity
Features
Functions
Suitable for
Dimensions
Width
Height
Depth
Weight
Weight
More Specifications
Note:
Specifications can be changed without notice. Images are for illustrative purposes only.
