
The Shure BETA 91A is designed for miking kick drums and other low-frequency sound sources, including pianos. Thanks to its modernised microphone capsule, integrated preamplifier and XLR connection, it offers a strong low-frequency response and is specially adapted for bass applications. It provides excellent attack and punch, achieving studio-quality sound even at extremely high sound pressure levels. The uniform half-cardioid polar pattern ensures maximum gain-before-feedback and off-axis sound rejection. The precisely engineered low-profile design with an integrated preamplifier and XLR connector allows for efficient setup and minimal stage clutter.
The frequency response is optimised for kick drums and low-frequency applications with a wide dynamic range for use in high sound pressure level (SPL) environments. A two-position contour switch provides maximum punch and clarity depending on the application: use the 'flat' setting for a natural sound in most applications, or the 'low-mid scoop' for a strong bass 'punch' with plenty of high-frequency attack. It requires no external mounts or accessories, making it easy to use and store.
Microphone PrincipleDynamic microphones are suitable for open-air performances, live broadcasts, music production, etc. They use a magnet and a moving coil to capture sound.
Condenser microphones are mainly used for studio purposes. They have higher sensitivity and lower noise. They must be powered separately.
Frequency RangeThe frequency range indicates the range of frequencies that the microphone records. The wider the range, the more sounds it can capture.
Low frequencies (e.g., 20–200Hz): Bass, the deepest notes of instruments (double bass, kick drum) and male voices.
Mid frequencies (e.g., 200–3,000Hz): The body of instruments, the foundation of the voice where the ear is most sensitive, important for speech intelligibility.
High frequencies (e.g., 3,000–14,000Hz): Treble, details, sibilance and the 'sheen' of the sound.
'Air' band (above 14,000Hz): Gives recordings a sense of expensive, super-high-quality sound and space.
SensitivityMicrophone sensitivity is the ratio of output voltage to acoustic pressure. It expresses how loud a signal the microphone produces at a given acoustic pressure; higher sensitivity means a stronger voltage and is suitable for quiet studios, while lower sensitivity is better for noisy environments as it amplifies less unnecessary background noise.
Specifications can be changed without notice. Images are for illustrative purposes only.